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Director: Rolando Ravello. Il film segue le vicende di tre famiglie che entrano in crisi quando le giovani figlie si fidanzano.
I loro padri temono che tutte e tre le loro figlie abbiano scelto un fidanzato sbagliato. Director: Andrew Erwin , Jon Erwin.
Fantascienza Tutti i film. Director: Alice Waddington. Siamo in un futuro distopico, non troppo avanti nel futuro rispetto a oggi.
Director: Lorcan Finnegan. Gemma e Tom sono due giovani innamorati, hanno una relazione consolidata e felice ma stanno anche cercando una casa dove andare a vivere insieme.
Per trovare l'abitazione dei loro sogni, entrano in. Director: J. La resistenza resiste, ma ne rimane ben poco: uno sparuto gruppo di uomini e donne tra cui Leia Organa, Dameron Poe, Finn, Rose Tico e Rey, in cui la Forza scorre potente.
Director: Tim Miller. Sono passati 27 anni dagli eventi dalla distruzione del T e un nuovo modello di Terminator, il Rev-9, dotato di un corpo capace di dividere il proprio scheletro metallico dalla copertura di.
Director: Ang Lee. Per questo la Defense Intelligence Agency, servizio segreto americano, non rinuncia mai ai suoi servigi. Director: James Gray.
L'origine viene presto identificata e il Maggiore Roy. Director: David Leitch. Director: Drew Pearce. Horror Tutti i film.
Director: Floria Sigismondi. Il fascino senza tempo del racconto "Il giro di vite" di Henry James diventa l'horror gotico The Turning nuova escursione cinematografica della bravissima italo-canadese Flora Sigismondi,r egista di.
Director: Gerard Bush , Christopher Renz. La sua situazione cambia drasticamente quando si. Director: Darren Lynn Bousman. Director: Craig Zobel.
Dodici sconosciuti si risvegliano improvvisamente in una radura: non sanno dove sono, non sanno come sono arrivati in quel posto, e dopo essersi liberati dalla cinghia che teneva chiusa loro la bocca.
Director: Alessio Liguori. Devon, Inghilterra, Director: William Brent Bell. Director: Jeff Wadlow.
Director: Severin Fiala , Veronika Franz. Da sei mesi vivono con il padre Richard, il quale vorrebbe che i figli. Director: Sophia Takal.
Come nel film del , anche questa nuova versione ambienta la storia in una confraternita femminile da college, la cui esistenza quotidiana viene turbata da un serial killer che, almeno sulle.
Il futuro del cinema mondiale dipende da tali tecnologie. Dopotutto, molto tempo fa molti di noi guardavano film a casa, e non al cinema.
Neorealist films typically dealt with the working class in contrast to the Telefoni Bianchi , and were shot on location.
Many neorealist films, but not all, utilized non-professional actors. Ossessione angered Fascist officials. Upon viewing the film, Vittorio Mussolini is reported to have shouted, "This is not Italy!
Visconti's The Earth Trembles was shot on location in a Sicilian fishing village, and utilized local non-professional actors.
Giuseppe De Santis , on other hand, used actors such as Silvana Mangano and Vittorio Gassman in his film, Bitter Rice , which is set in the Po Valley during rice-harvesting season.
Poetry and cruelty of life were harmonically combined in the works that Vittorio De Sica wrote and directed together with screenwriter Cesare Zavattini : among them, Shoeshine , The Bicycle Thief and Miracle in Milan The film Umberto D.
This work is perhaps De Sica's masterpiece and one of the most important works in Italian cinema.
It was not a commercial success and since then it has been shown on Italian television only a few times. Yet it is perhaps the most violent attack, in the apparent quietness of the action, against the rules of the new economy, the new mentality, the new values, and it embodies both a conservative and a progressive view.
Although Umberto D. Director Pier Paolo Pasolini 's first film, Accattone , shows a strong neorealist influence.
The Neorealist period is often simply referred to as "The Golden Age" of Italian Cinema by critics, filmmakers, and scholars.
Ossessione , by Luchino Visconti. Bicycle Thieves , by Vittorio De Sica , ranked among the best movies ever made and part of the canon of classic cinema.
It has been said that after Umberto D. Possibly because of this, neorealism effectively ended with that film; subsequent works turned toward lighter atmospheres, perhaps more coherent with the improving conditions of the country, and this genre has been called pink neorealism.
Soon pink neorealism, such as Pane, amore e fantasia with Vittorio De Sica and Gina Lollobrigida , was replaced by the Commedia all'italiana , a unique genre that, born on an ideally humouristic line, talked instead very seriously about important social themes.
His films often with Peppino De Filippo and almost always with Mario Castellani expressed a sort of neorealistic satire, in the means of a guitto a "hammy" actor as well as with the art of the great dramatic actor he also was.
A "film-machine" who produced dozens of titles per year, his repertoire was frequently repeated. His personal story a prince born in the poorest rione section of the city of Naples , his unique twisted face, his special mimic expressions and his gestures created an inimitable personage and made him one of the most beloved Italians of the s.
For a long time this definition was used with a derogatory intention. Vittorio Gassman , Marcello Mastroianni , Ugo Tognazzi , Alberto Sordi , Claudia Cardinale , Monica Vitti and Nino Manfredi were among the stars of these movies, that described the years of the economical reprise and investigated Italian customs, a sort of self-ethnological research.
A series of black-and-white films based on Don Camillo character created by the Italian writer and journalist Giovannino Guareschi were made between and Mario Camerini began filming the film Don Camillo e i giovani d'oggi but had to stop filming due to Fernandel's falling ill, which resulted in his untimely death.
Colin Blakely performed Peppone in one of his last film roles. In the late s, Hollywood studios began to shift production abroad to Europe.
Italy was, along with Britain, one of the major destinations for American film companies. The heyday of what was dubbed '"Hollywood on the Tiber" was between and , during which time many of the most famous names in world cinema made films in Italy.
With the release of 's Hercules , starring American bodybuilder Steve Reeves , the Italian film industry gained entree to the American film market.
Besides the many films starring a variety of muscle men as Hercules, heroes such as Samson and Italian fictional hero Maciste were common.
Sometimes dismissed as low-quality escapist fare, the Peplums allowed newer directors such as Sergio Leone and Mario Bava a means of breaking into the film industry.
As the genre matured, budgets sometimes increased, as evidenced in 's I sette gladiatori The Seven Gladiators in US release , a wide-screen epic with impressive sets and matte-painting work.
Most Peplum films were in color , whereas previous Italian efforts had often been black and white. Bartolomeo Pagano as Maciste.
Kirk Douglas and Silvana Mangano in a pause during the shootings of Ulysses Duel of the Titans On the heels of the Peplum craze, a related genre, the Spaghetti Western arose and was popular both in Italy and elsewhere.
These films differed from traditional westerns by being filmed in Europe on limited budgets, but featured vivid cinematography. Another popular Spaghetti Western film is Django , starring Franco Nero as the titular character , another Yojimbo plagiarism, which was followed by both an authorized sequel Django Strikes Again and an overwhelming number of unauthorized uses of the same character in other films.
Franco Nero as Django in the film of the same name. During the s and 70s, Italian filmmakers Mario Bava , Riccardo Freda , Antonio Margheriti and Dario Argento developed giallo horror films that become classics and influenced the genre in other countries.
Due to the success of the James Bond film series the Italian film industry made large amounts of imitations and spoofs in the Eurospy genre from Following the s boom of shockumentary " Mondo films " such as Gualtiero Jacopetti 's Mondo Cane , during the late s and early s, Italian cinema became internationally synonymous with violent horror films.
These films were primarily produced for the video market and were credited with fueling the " video nasty " era in the United Kingdom.
Some of their films faced legal challenges in the United Kingdom ; after the Video Recordings Act of , it became a legal offense to sell a copy of such films as Cannibal Holocaust and SS Experiment Camp.
Italian films of this period are usually grouped together as exploitation films. Several countries charged Italian studios with exceeding the boundaries of acceptability with their lates Nazi exploitation films, inspired by American movies such as Ilsa, She Wolf of the SS.
These films showed, in great detail, sexual crimes against prisoners at concentration camps.
These films may still be banned in the United Kingdom and other countries. Barbara Steele in Black Sunday A scene from Blood and Black Lace Giuliana Calandra in a famous scene from Deep Red They are also known as polizieschi all'italiana, Euro-crime, Italo-crime, spaghetti crime films or simply Italian crime films.
Between the late s and mid s, Italian cinema was in crisis; "art films" became increasingly isolated, separating from the mainstream Italian cinema.
During this time, commedia sexy all'italiana films, described as "trash films", were popular in Italy. These comedy films were of little artistic value and reached their popularity by confronting Italian social taboos, most notably in the sexual sphere.
Also considered part of the trash genre are films which feature Ugo Fantozzi , a character invented by Paolo Villaggio for his TV sketches and newspaper short stories.
Although Villaggio's movies tend to bridge trash comedy with a more elevated social satire; this character had a great impact on Italian society, to such a degree that the adjective fantozziano entered the lexicon.
Of the many films telling of Fantozzi's misadventures, the most notable and famous were Fantozzi and Il secondo tragico Fantozzi , but many other were produced.
A new generation of directors has helped return Italian cinema to a healthy level since the end of the s. This award was followed when Gabriele Salvatores 's Mediterraneo won the same prize for They Call Me Jeeg , a critically acclaimed superhero film directed by Gabriele Mainetti and starring Claudio Santamaria , won many awards, such as eight David di Donatello , two Nastro d'Argento , and a Globo d'oro.
Gianfranco Rosi. Winners with the year of the ceremony:. She was the first actress to win an Academy Award for a performance in any foreign language, and the second Italian leading lady Oscar-winner, after Anna Magnani for The Rose Tattoo.
These directors' works often span many decades and genres. From Wikipedia, the free encyclopedia. Filmmaking in Italy. A collage of notable Italian actors and filmmakers [a].
See also: Italian Futurism cinema. Quo Vadis , regarded as the first blockbuster in the history of cinema. Cabiria , the first epic film ever made.
Main article: Italian neorealism. Main article: Hollywood on the Tiber. Main article: Peplum film genre.
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